If you are a Kindergarten to Grade 3 teacher living in Alberta, you will be implementing new curriculum in a few subject areas this coming fall. Grade 4-6 teachers will follow in a year’s time.

Prior to this year, we haven’t implemented new curriculum in more than one subject at a time. Many teachers have expressed feeling overwhelmed and somewhat intimidated. Understandable. Entirely understandable.

If you will be teaching Kindergarten-Grade 3 ELAL next year, join me tomorrow for a free session where we will unpack the new curriculum. My goal is to empower teachers to uncover ways their practice can remain the same, and decide how (and why) some areas might need to be tweaked.

If you want a jump start into understanding the new ELAL curriculum, sign up for tomorrow’s session. Expect practicality grounded in pedagogy.

(Grade 4-6 teachers are most welcome too!)

Generate some book buzz leading into summer! Over the next few weeks, students choose a favourite book and give a book talk to their peers.

Keep it simple with a five finger structure:

1. Title
2. Author (and illustrator if applicable.)
3. Genre (…realistic fiction, fantasy, adventure, graphic novel, nonfiction, biography, poetry…)
4. Brief Summary
5. Recommendation (Who might like this book? “If you liked ____, you’ll like this.”)

A fun addition is to ask students to choose a favourite passage from the book that might entice readers without giving anything away.

Students can also record their books talks (on Flipgrip for example) for your incoming students to watch in the fall!

I’ve spent the last four days surrounded by writers. Others who write for children. Others who love playing with language as much as I do. I sat next to someone on the first day who said, “Who knows, maybe by the end of the weekend, I’ll realize I shouldn’t be doing this.”

That’s not the case for me. I know I want to write for children. I also know I need to write. It fuels me. It both challenges and delights me. It gives me purpose.

I leave here with a better understanding of my strengths as a writer and new understandings of how to improve. I leave here with more ideas of how to help student writers, too.

I also leave here reminded that this process requires passion, patience, and persistence. Today on the beach, I chose a small shell to represent each. They will find a place on my desk at home: reminders of what I need to keep this writing dream alive.

As Neal Shusterman reminded us the other night, there is power in storytelling. How can writers change the world? One reader at a time.

Sometimes I take my time and browse. Sometimes I put books on hold online and then run in to pick them up. Regardless, every time I’m in a library I marvel at this wonderful service and wonder why more people don’t use it!

With our influence as educators, why not talk library love with our students? Share one or more of these quotes about libraries and then talk or write!

• “The library is like a candy store where everything is free.” Jamie Ford
• “I have always imagined that Paradise will be a kind of library.” Jorge Luis Borges
• “The only thing you absolutely have to know is the location of the library.” Albert Einstein
• “Libraries are where it all begins.” Rita Dove

Who knows? You just might encourage a first visit or perhaps contribute to a lifelong habit…

I was fortunate to attend ELAC a few weeks ago in Banff. The highlight? Penny Kittle, a fellow observer and lover of craft, talking about the craft of one of my favourite creators, Lin Manuel Miranda. Pure joy.

One of her slides read, “Study, imitate, transform.” Lin Manuel Miranda did just that in creating Hamilton. He was inspired by everything from Harry Potter to Macbeth to The West Wing. He studied, imitated, and transformed.

It’s what I do with my students through mentor texts during mini-lessons. It’s also what I do within my own writing. When I’m reading, listening, and watching favourite books, music, and shows, I’m looking for craft moves, sometimes consciously, often not.

Consider these examples:

The engagement and humour created by the smashing of genres in Hamilton becomes a history lesson like no other. The shifts in time, and parallel themes across time, in This is Us lead to connection, reflection, and realizations in our own lives. Neal Shusterman–without the reader even knowing at first–puts us in the head of one with mental illness, enabling us to experience what we might not otherwise.

Studying the craft moves of text in any form leads our students to more creative, more interesting work.

Study. Imitate. Transform.

By the way… connecting Hamilton to lessons in literacy, why did I think of that?

During a recent writing residency, I was yet again reminded of the power of writing. The residency had a narrative focus. Even still, it was obvious how students explore their identities and process their world through writing.

When I was one-on-one with a student, she tearfully told me that she based the character on herself because she was bullied and wanted to write about that. After a momentary pause she added, “But everyone just thinks it’s my character.”

A grade two student wrote about living in Ethiopia and how he had to help his family (his mom was pregnant and his dad was working) by carrying a basket and collecting fruit for hours and hours.

A grade five student shared that her character was transgender and then described their personality, appearance, and emotions.

As teachers, we hold each of these students–along with their experiences and emotion, their fears and hopes–tenderly in our hands. As they write and explore, revise and share, they learn about themselves and the world around them.

And if we’re paying attention, we might just learn something too.

Have you been studying and writing different forms of poems with your students? Haikus, limericks, acrostics, cinquains, diamantes, found poems, pantoums, free verse… others? Are you and your students ready for a challenge?

Spice up the end of your focus on poetry by adding a little bit of chance to the mix. Use a site such as wheelofnames.com to generate custom spinners. Create one spinner with all of the different forms of poetry you have been working on. Then create a second spinner with broad topics such as sports, animals, emotions, colours, the five senses, family, or food.

There will be much excitement and hype as the spins determine each students’ form of poetry and topic.

By keeping the topics broad, there is still some element of choice for students. For example, if a student has to write a haiku on sports, they could write about sports in general, or pick a more specific topic such as lacrosse. Even with intentional constraints in place, try to allow for some student choice.

P.S. Feel free to share some of the poems created through this process! I’d love to hear them.

Spring seems to awakens my senses from a winter hibernation. I love walking and observing signs of spring.

This week, take your students on a quiet spring walk. Before you do, ask them to pay close attention to what they see, hear, smell, and feel while you’re walking. (Remind them not to taste anything along the way!)

When you return to class, give them the structure below to write a spring poem. When they are considering ‘taste’ generate some ideas together. What do you eat in the spring that you haven’t eaten for some time? Sweet peaches or strawberries? Fresh garden herbs? Baba’s bread or chocolate eggs at Easter?

For students, creating a “found poem” (words not their own but found in other sources) is often novel and fun. There is a buzz of excitement as students sit on the floor, browse through classroom book titles, find connections between titles, and then stack the books to create a poem.

Embedded within this challenge are the opportunities to read aloud and revise. How? Students stack the books in an order they like and then read the titles out loud as a poem to see how it sounds. They are encouraged to add, remove, or rearrange books to create the most pleasing sounding poem. Revision at work!

Along with the melting snow and the return of the geese, National Poetry Month has arrived! Have you pulled your poetry books off the shelf, brought them to the top of the pile, or visited the library for some new finds?

Although poetry is fun to read with students all year long, this is the time to read and enjoy poems each and every day! Invite students to share thoughts and feelings evoked by the poems you read. Explore the figurative language and alliteration, the rhythm and phrasing, the dive into sensory language.

This week, let your students read and explore the poetry in your classroom and then ask them to choose a favourite. Give them time to read the poem repeatedly to become more fluent and expressive. (There is no need for memorization.) Students can then share this favourite poem with their reading buddies, their family members, or another class.

Stay tuned for poetry ideas all month long…

By the way, which poetry book is your favourite for the classroom?